Tag Archives: Takashi Murakami

“Eco Eco Rangers Earth Force” by Takashi Murakami

Takashi Murakami submitted the following image to the New Day project on Twitter:

Takashi Murakami, "Eco Eco Rangers Earth Force" (c)2005 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

This image was created in 2005 for the show “Little Boy: The Arts of Japan’s Exploding Subculture,” curated by Murakami at the Japan Society in New York. It was used as a banner to advertise for the show. Below is a photograph of the banner, courtesy of MocoLoco.

Photograph of the "LIttle Boy" banner

The exhibition got its title from the code name for the atomic bomb dropped over Hiroshima, Japan by the United States Military at the end of World War II, resulting in a large mushroom cloud, two of which are depicted in this work. These references to radioactive fallout have again become relevant with the explosion at the Fukushima nuclear power plant. To read more about this click here.

The concept behind this piece is based on the idea of  “Rangers” or superheroes that fly around to fight the destruction of the world. While the characters are kawaii (that means cute in Japanese) and appear to be positive and friendly with their large smiles, they simply float around, accomplishing little in the way of protecting the environment from the ominous mushroom clouds. They are completely unable to alter reality, and simply wear their indifferent, empty smiles, blissfully unaware of their failure . It is up to humans like us (not ‘Rangers’) to offer our support to Japan in these turbulent times.

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More New Works by Takashi Murakami

Takashi Murakami, "New day: DOB Totem Pole." (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

Takashi Murakami, Title yet to be determined. (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

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Drawings by Takashi Murakami!!

Takashi Murakami, Title yet to be determined. (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

Takashi Murakami, Title yet to be determined. (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

Above we have two more self-portraits by Takashi Murakami for New Day!!

Takashi Murakami, Plan for "A Picture of The Blessed Lion Who Stares at Death." (c)2009 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

This image is a drawing from a project two years ago but holds new significance in the wake of the hardships currently being faced by Japan. It depicts the mythological Karajishi or “China lion” on a bridge of human skulls.  According to legend, the cubs which can be seen frolicking about on the bridge would be thrown off a cliff by their parents, with only the strongest surviving to become guardians of the spiritual realm. The work speaks to the power of resilience and stoicism in the face of hardship.

For more information on this work see the Gagosian Gallery website:

http://www.gagosian.com/exhibitions/2009-09-17_takashi-murakami/

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The Evolution of a Work by Takashi Murakami

Watch as this work transforms!

Takashi Murakami, Title yet to be determined (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

First we have a drawing of the subject.

Takashi Murakami, Title yet to be determined (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

Next comes a preliminary color image. Notice how the side of the face and the eyebrows account for the refraction of light through the eyeglasses to be added later.

Takashi Murakami, "New Day: Self-Portrait." (c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved.

The completed work, “New Day: Self-Portrait” by Takashi Murakami

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Artworks by Takashi Murakami

(c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.

http://twitpic.com/492l1a

(c)2011 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.

http://twitpic.com/492sw1

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What Is ‘New Day’?

A Statement from GEISAI Chairman Takashi Murakami

Recently, the GEISAI Executive Committee began a special project known as #newday_GEISAI. Struck with the desire to provide encouragement to the victims of the Tohoku-Pacific earthquake, I have asked artists around the world to join me in uploading artwork to Twitter’s affiliated image posting sites.

“There will always be a new tomorrow.
There will always be a new dawn.
A New day. “

These are the words that we have chosen as our rallying cry.

The response to this project has already been tremendous, with both drawings and messages of encouragement pouring in. We will be posting many of the results on this blog.

As for why we’ve chosen to do this, I think I can best explain things by addressing some of the criticism that we’ve received in response. This criticism has largely been reiterations of the following:

“How dare you slow down Twitter’s servers with your self indulgence and self promotion?’
‘If you’re going to put out pointless images, why not attach a mechanism for raising money to help the victims?’
‘Why bother proliferating these sort of pictures from unknown artists?”
And on it goes.

If we think of it in terms of its practical value to society, art is in some ways the most meaningless of meaningless activities. But then why, we must ask ourselves, has it continued to exist for so long? It is this point that I would like you all to understand and share.

Let’s back up and examine the specific series of events by which this project began.

March 13 was the scheduled day of GEISAI #15 and due to the natural disaster which occurred, we were left with no choice but to cancel. There has been little sign of mass confusion so far and we have done our best to answer the small number of questions that have come in. But that does not mean we were oblivious to everyone’s unvoiced concerns.

Among the artists that participate in GEISAI, it’s safe to say that there are many who are overly sensitive to the world around them. The wild swings between passion and despair, up and down, that these men and women experience are what lead them to create pictures in the first place. Those we call artists are inevitably possessed of this sort of temperament. And so it goes that there are many people who have been watching the TV and quietly holding in their pain at what they see. These people too are mental victims of the disaster and I wanted to help them find a release for what they have been feeling. It also goes without saying that there were many people looking forward to the once a year event that is GEISAI. After spending so long creating works and planning their performances, these artists suddenly had nowhere to direct all this pent up energy.

GEISAI has now been held for ten consecutive years. Is it not reasonable to want to provide an outlet to the small circle of artists who have participated all this time? A semblance of security and courage for those who must create in order to go on living? To those artists who have felt defeated and to all of you reading this message, I have a request:
Channel your thoughts into a work of art and present it for all to see. View and share your thoughts on the works that we have on display and let go of the tension that exists in your hearts.

There is nothing to be ashamed of.
This is what we must do to survive.

And in fact, I will cheer you on! Have no fear! As someone who relies on creation in order to make it through the day, you have an ally in me and scores of others. You are not the only one of your kind.

And know that GEISAI exists as a festival for people like you. Take pride in it.

So with that said, I plan to continue developing this project little by little.
I hope for your understanding.

Lastly, I would like to express my heartfelt condolences to the victims of the Tohoku Earthquake and to pray for the speedy recovery of all who are affected.

That is all.

GEISAI Chairman: Takashi Murakami

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